Thursday, February 19, 2009
How bout a new short?Is it time for Aqua to work on a new bad short film? Here is one we have been slowly working on, Riverock and Skydar have a Bigfoot sighting while trying to find the fabled surf of the Lost Coast.
Email the management at Aqua at and tell them why they should give Aleks, Brian, and Silvin some time to finish this thing. Come up with good ones- like it will increase business and such. Shoots, and in the meantime check out the old ones on our media page and our Youtube. page
Tuesday, February 17, 2009
Plinio’s Art ShowHey everyone, I’d like a minute to tell everybody about an upcoming art show at Artist’s Television Access gallery on February 24th from 6 till 10pm. It is titled “Finding Beauty Where Nobody Does” by a man named Plinio de Oliveria. Plinio is one of those rare people that you come upon in life that are GENUINELY HAPPY and one that will pull your head out of the clouds and remind you what you should be focused on every time you run into him. Below is some brief info as to why he has put this show together- enjoy and we’ll see you at the show.
My name is Plinio de Oliveira and I am a 31 years old Brazilian artist and surfer immigrant that came to the USA 12 years ago. My art consist mostly of painting and drawing. Most of my paintings are abstractions of geometric shapes and patterns and my work is inspired on Paul Klee, Volpi (Brazilian painter) and Edward Hopper. I love to experiment with more realistic paintings too and I love to put many hours on my paintings. I love to paint because I feel so good doing it, it is like therapy and I have an uncle that was a professional painter in Brazil, his name was Claudio Barros Barreto. My family is very supportive about me trying to be a professional artist.
The name of my show is "Finding beauty where nobody does" which is about a painting that I did about a soccer team (named Ibis) that is a third division team in Brazil and that all the Brazilian media call it the worst soccer team in the world. I still think that Ibis is a wonderful team. The show is happening on 992 Valencia Street in the Mission district in San Francisco on February 24th from 6 to 10 pm.
I started surfing when I was eighteen years old, on January 1996 on Cowell beach, Santa Cruz after my wonderful dad insisted that I take a one-hour surfing class from Club Ed. On that one lesson I stood up on a soft top long-board like two or three times and I completely fell in love with surfing. Surfing ties with my art because I have an incredibly wonderful time doing both of them. I also sometimes try to do surfing drawings or paintings of surfers doing maneuvers. Some of the surfing paintings that I did are on Aqua Surf Shop of Haight Street. I have studied art at Cabrillo College, College of San Mateo and UC Santa Cruz. I had an uncle that was a professional painter in Brazil and he was also an art teacher in a very famous University in Brazil. My uncle's sister Vera, my grandma took my to a bunch of museums in my childhood to look at art. My dad gave me the suggestion to take a drawing class at Cabrillo College and I did it on February 1999. From them on I was hooked and from then until today I have been taking art classes every semester.
When I graduate I want to teach surfing for Club Ed this summer 2009 and then I want to start teaching drawing and painting to kids at any school that wants to hire me. My pieces on the "Finding beauty where nobody does" show are from summer 2005 until fall 2008. Thank you very much Aleks, your surf shop is the best of the City!!!
Find info about ATA here- http://www.atasite.org/
Thursday, February 12, 2009
AbeHappy Birthday Abe, I'm a big fan.
Sorry about my hack photoshop job-
XanaduThis Sunday Febuary 15th renowned progressive surfboard shaper XANADU is coming to talk about his surfboards and answer any of your surfboard related questions, from 10 am till 1 in the afternoon at Aqua Surf Shop on Sloat Blvd.
To learn a little about Xanadu visit http://www.xanadusurfdesigns.com
Tuesday, February 10, 2009
This past rainy Friday morning I got some coffee and had a chance to sit down with my neighbor the surfboard maker Danny Hess. We talked a little about his trade and loosely what lead him to it, and of some recent adventures in his life. Danny makes beautiful, (beautiful is not overused here) surfboards out of a combination of EPS Foam and sustainable woods such as Poplar. Please refer to his site to better understand his unique approach to board building, because during our chat we do not go into great detail- click HERE.
Our talk, and the viewing of many of his surfboards in various degrees of production, left me feeling really amped. It pulled my head out of the monotony of my surf retail routine and got me excited about being in the water, trying new templates and materials, new feelings and approaches to surfing, which is essentially the reason Iï¿½ve worked in surf shops a majority of my life. The below is a rookie interviewerï¿½s attempt at transcribing our discussion.
Danny and Lyle in da shop.
Danny how did you start to work with wood and get into the trades?
My father fixed what needed fixing, so I learned by watching and assisting him. He built our house and thus my introduction to woodworking. Much later I moved to Colorado with Erin (Dannyï¿½s Wife) and worked as a laborer on houses. Erin and I designed and built our own straw bale house, which we lived in for a year and which got me really inspired and focused on Green Design. From there we got to travel through Europe living in Spain and Portugal for the better part of a year where we then returned back to the Bay Area. Upon my return I started to build tree houses, for kids, parents, even a yoga studio and an art space. This was such rewarding work, I mean I got to meet with kids and have them define their dreams, then translate them into architectural drawings and plans so their dream could be reality. I focused on reuse, utilizing re-claimed building materials and recycled items which continued to foster my interest in Green Design. A big problem became apparent as this work began to become popular and consistent for me- how was I to translate this into a legitimate business? There was no way I was aware of to get the proper permits let alone a contractorï¿½s license to build tree houses, so I had to step away from it. So I went back to school for two years to pursue a Masters in Sustainable Design.
So how did these skills evolve into the building of surfboards?
I was always building my own surfboards, partly because at the time the templates I was interested in, quad fish and the sort, were hard to come by. I started by using routine materials but as with my tradeï¿½s work, I wanted to be thoughtful with resources, so I started applying that mindset to the building of surfboards. The goal was to combine different materials to get the right ï¿½designed flexï¿½, performance, lightness, and durability. To end up with high performance boards that were built to last, surfboards you pass on much like you would pass on an object such as a well-made guitar for continued use and enjoyment.
Danny and a twin fin gun he is currently working on.
The First board took over 120 hours to complete, 40 of which were spent on creating the molds which forms the perimeter rails, which give the boards their rail outline, foil and rocker. The first 30 boards had wood frames supporting the core of the boards, which made for boards that worked well but were a little too heavy and rigid. From there, determined to have minimal resource impact yet give the board a high standard of performance I started to explore using an EPS core with the wooden perimiter stringer and deck materials.
Please summarize this combination of materials and the benefits of them. (Remember to check Dannyï¿½s site mentioned in the introduction for more info).
I use Amaploa, Cork, and Poplar for the perimeter rails and the wood skin for the deck and the bottom. And EPS for the core of the board. The EPS core is recycled content foam
which a plant in the East Bay produces by chopping down old Styrofoam and blowing it back into new blanks. Then the board is sealed with 4 oz fiberglass and epoxy resin.
I am very convinced that currently this is the best combination of materials in terms of the best combination of performance, longevity and quality, but I will continue to evolve and explore so I can offer multiple technologies and feels, one of which will be a completely biodegradable surfboard. So I am very excited about evolving the tech and am currently working on some exciting projects that I am not quite ready to talk about.
Letï¿½s talk briefly about parabolic rails, Iï¿½ve had a couple parabolic boards that felt snappy when hitting the lip but really seemed to bog in down-the-line conditions. How are your perimeter rails different?
They are very different in that the perimiter stringer I build gives the board its outline, foil, rocker and strength. It also gives the board its engineered flex, and eliminates torsionial twist, which causes other boards to loose forward projection. The parabolic stringers on the boards you mentioned are under-built, these boards have to rely on heavier glassing to try and get the board to have positive flex characteristics- these materials loose their return flex overtime and the boards loose their lively feel. The perimiter stringer on my boards give the boards performance flex, strength and support, so I do not have to rely on a heavy glass job, we glass them very light to basically just water seal them. Even better these materials keep their flex, so you have a board that keeps its performance properties.
Danny at da beach.
What are some shapes/templates you have been really excited about lately?
I have had the good fortune to be working with Dick Brewer. To take his 50 years of shaping experience and to be translating into my way of working and technology- feels like someone gave me a big learning pill. To be able to dissect Brewerï¿½s big gun expertise has me very inspired, and Brewer being an engineer is excited about this integration of materials. This 10ï¿½6 Brewer Gun is the best board I have ever built!
A boy and his favorite gun.
The Singer is a snazzy looking performance quad that you collaborated on with the artist Thomas Campbell, tell us a little about this collaboration.
T-Moe and I love Rich Pavel and Lyle Carlson quad fishes, and we wanted to take such a template and make it so it surfed a little more progressively, more in the pocket type of surfing. So the Singer is designed to bridge the gap between a performance thruster and a
Danny showing the first Singer built
quad fish. Allowing one to take a familiar quad fish line in steep drivey waves, a quad fish that fits that type of wave. The color jobs resulted from playing around with different resin tints glassed over drawings that T-Moe draws directly over the board with graphite
Some rad T- Moe scribbles in graphite along the Singer's bottom
I really like how the color works with and does not overpower the beautiful patterns from the wood grain. Speaking of T-Moe, everyday in the shop I have people asking me about his new film project- THE PRESENT, you have been on trips for the film, how did this come about?
T-Moe has been interested in the way I make surfboards, and one of his repeat athletes, Dan Malloy has been enjoying surfing my boards, so going to Indonesia with them for THE PRESENT was a way to showcase how this technology works in epic Indonesian waves. Thomas has filmed me often at work making boards and one day he called me and invited me on an Indonesian boat trip with Dan Malloy, Ry Craike, Chelsea Hedges, Sofia Mulanovich and Mike Stewart. We ended up getting some of the best waves I have ever seen, the longest craziest barrels I have ever witnessed. I was humbled by these athletes level of surfing.
I was also humbled by the positive feedback I received from these high caliber riders in perfect waves, as to how my boards preformed and where to refine them. The constructive critiques from these sessions were amazing for me.
You have been on two trips to Indonesia with T-Moe and crew now, tell me the general routine.
Danny in Indo filming for THE PRESENT
Making a film was the goal of the trips so we were on a schedule according to proper lighting and the other elements required for optimal surf filming conditions. Everyone was very professional and humble. The work environment was efficient and effective with straightforward directing from T-Moe.
Other impressions from the trips?
To get the chance to surf with professional surfers in epic waves was like being sent off to advance surfing camp, when you surf regularly with such advanced surfers this natural progression starts to happen.
On one night after dinner, Ry straight jumped off the boat for a night session, we soon joined, having the boat anchor so the lights reflected about the form of the waves; we adorned ourselves with light sticks and had so much fun! Several nights were clear enough for us to indulge in such night sessions.
But what positively blew my mind happened on the second trip- the incredible rides I witnessed going down on Tom and John Wagnerï¿½s alaias. I donï¿½t know if you have tried one, but they are incredibly humbling. They are hard to paddle, they do not float well so it is very challenging to catch a wave, youï¿½re wave count ends up being a 10th of what it normally is. You also surf them very differently, feet close together, you kind of surf the board from the middle- let me say they are very hard to surf without a lot of practice. These surfers were getting some of the most intense long barrel rides I have ever witnessed on alaias! Taking off deep under the lip and just going so fast through long barrels, I cannot wait to see it in T-Moeï¿½s film, it is going to blow your mind too!
THE PRESENT is going to be a beautiful film redefining the many different approaches to surfing. Iï¿½m very honored to be a part of it, and I canï¿½t wait to see it.
Iï¿½ll state here that the film is going to be shown March 28th at the Victoria Theatre.
What should we talk about now- oh letï¿½s talk hand planes.
Stacks o hand planes waiting for Lyle to sand
Two different templates
The hand planes are so fun. I make them from my left over-cuts from the surfboards. We have been working on all kinds of bottom contours, rockers, tails and channels but have recently evolved it down to 5 great working templates. These hand planes are a little longer- long enough that you can place your weight down through your elbow, this lets you plane much higher in the wave allowing much more maneuverability and speed.
Lyle showing the length, tail and channels of the Kamikaze template.
It feels like bodysurfing yet the speed and control you maintain in the barrel is simply amazing! Dan Malloy sums it up by saying, ï¿½ Iï¿½ve had some frustrating times surfing, but Iï¿½ve never had a bad time bodysurfing.ï¿½ Youï¿½ve just got to go try them with me.
Danny Planing on thru
Iï¿½m amped! Thanks for your time Danny. Visit Danny at hessurfboards.com